Reconstruction: Diogenes with a Camera V, Ishimoto Yasuhiro Collection Exhibition

Having studied the concept and methodology of modern photography at the New Bauhaus*1 in Chicago after the war, Ishimoto Yasuhiro developed his own austere formative and compositional sensibility backed by the philosophy of Bauhaus style modern design, for which Kochi-raised Ishimoto became one of the most nationally and internationally renowned photographers in Japan. Ishimoto returned to Chicago and lived there again between 1959 and ’61. During these three years, he unveiled new works at exhibitions at The Art Institute of

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Portrait, Ishimoto Yasuhiro Collection Exhibition

Having studied the concept and methodology of modern photography at the New Bauhaus*1 in Chicago after the war, Ishimoto Yasuhiro developed his own austere formative and compositional sensibility backed by the philosophy of Bauhaus style modern design, for which Kochi-raised Ishimoto became one of the most nationally and internationally renowned photographers in Japan. While claiming that he considered photographing people more difficult and trying than shooting other subjects, Ishimoto consciously turned toward portrait photography during the three years he lived

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Beach, Ishimoto Yasuhiro Collection Exhibition

Ishimoto Yasuhiro is a Kochi native photographer who has gained a worldwide reputation for creating works charged with exquisite formative sensibility and beautiful harmonies of black and white. After learning the basics of photography at the Institute of Design that was adopting the Bauhaus style in post-war Chicago, Ishimoto returned and settled down in Japan, but continued to photograph beach sceneries in both Japan and America. On display here is one representative series of works showing scenes of people gathering

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Little Ones, Ishimoto Yasuhiro Collection Exhibition

Ishimoto Yasuhiro is primarily known for his exquisitely structured, modern and intelligent photographic works as displayed in Katsura, a collection of pictures of the Katsura Imperial Villa that blends Japanese tradition and Western modernism. In his early career, however, he often chose children as his photographic subjects. Characterized by Ishimoto’s trademark picture composition, the results are lively depictions of children in the slums of Chicago that are populated by immigrants from various countries, and children playing in the back-alleys of

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