The Election 1960, Ishimoto Yasuhiro Collection Exhibition

《シカゴ 街》 1960年 Chicago, Town ©Kochi Prefecture, Ishimoto Yasuhiro Photo Center

Sixty years ago, in 1960, the USA was in an election year just like now in 2020. It happened to be the time when Ishimoto was living in Chicago, where he took a large number of photographs to capture the mood of the moment.

He imposed on himself the task of photographing people – which he was aware of as something he wasn’t particularly good at – and started roaming the streets of Chicago, walking and shooting until the soles of his shoes literally came off. For him, the crowds marching and cheering for the candidate they supported, or for their own acquisition of freedom and rights, surely were a welcome subject. Their forceful expressions and attitudes were in complete harmony with the slogans and images on the placards and signboards they were carrying, and the energetic swirl all this created in the US society is vividly documented in Ishimoto’s photographs.

One of the chapters in Chicago, Chicago (Bijutsu Shuppansha, 1969), one of Ishimoto’s most well-known photo books, is dedicated to the city’s people and their political activities, including also pictures of the Stars and Stripes put up in the streets. From this alone, one can guess just how fascinated Ishimoto was with these things at the time. Ishimoto was an American citizen because he was born there, so documenting the election, the outcome of which would significantly impact the future direction of his home country, was perhaps also an opportunity for him to contemplate on his own national identity.

In this exhibition, Ishimoto’s photos of the election campaigns in Chicago in 1960 are displayed in a largely chronological order, based on the numbered film strips that he left behind.

Ishimoto Yasuhiro Centennial

Ishimoto Yasuhiro (1921-2012), a photographer with roots in Kochi, has been highly regarded in Japan and abroad for his clear focus on the essence of his photographic subjects, as well as strictly compositional concepts. Born in San Francisco as a son of agricultural immigrants, Ishimoto spent his childhood in Takaoka-gun (today Tosa City) in Kochi Prefecture, before moving back to the US to study cutting-edge modern design after the war. His studies at the Chicago school that is commonly known

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The Eleven-Faced Goddess of Mercy of Kokoku, Ishimoto Yasuhiro Collection Exhibition

Shiga prefecture, known as Omi province through the early modern period, is next door to Nara and Kyoto, Japan’s ancient capitals. Located where people were moving about extensively and trade flourished, the area developed not only through land transport but also water transport on Lake Biwa. Moreover, the western side of Lake Biwa (Kosei) is territory of great religious significance, for there are located the Hira Mountains, which include Mount Hiei, where Enryakuji Temple, a Tendai Buddhist temple, was founded

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Tokyo – from the “Eizo no Gendai” series, Ishimoto Yasuhiro Collection Exhibition

Initiated by Yamagishi Shoji, an editor/producer and at once a leading figure in the world of Japanese photography in the 1960s-70s, “Eizo no Gendai” was a series of books showcasing the works of such spirited photographers as Moriyama Daido, Tomatsu Shomei and Narahara Ikko among others. Among the ten volumes the series comprised, volume 8 was dedicated to Ishimoto Yasuhiro and his photos of the city “Tokyo.”   After returning from Chicago, USA, in the 1960s Ishimoto launched into tremendous

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